| Saviour Nathan A. Agoro A Review of Charles Ebereonwu’s Lost Laural |
| Etop Akwang Modernism as a Failed Utopia: A Postcolonial Critique of Wole Soyinka’s Death and the King’s Horseman and Ngugi wa Thiong’o and Ngugi wa Mirii’s I will Marry When I Want |
| Rudolph Kansese A Director’s Death in Play Production: the experience of The Leopard of Kalama |
| Augustine-Neto Emiemokumo Art Criticism, Patronage and the Artist’s Creative Will |
| Sunday D Abraye Dynamics of Performance on the Aquatic Stage |
| Philip Arthur Gborsong, Mercy Fumi Adesanya, Martin Segtub A Communicative Study of Electronic Media Advertisements in Ghana |
| Kontein Trinya Musical Paradigms of Social Horror in the Apartheid Poetry of Dennis Brutus |
| Ambily Etekpe Rural Women in Peace-Building and Development in Nigeria: The Case of Gbarain-Ekpetiama Women in Bayelsa State |
| Chabuovie M. Sorgwe Gleams of History in Epie-Atissa Leisure Games |
| Arun Behera How Do We Learn Another Language? |
| Tripti Mund You Can Speak in English with Elan: A Review (Book Review) |
| Deepika Nelson & Julia Devardhi Bridging the Gap between Multiculturalism and Second Language Acquisition |
| Sheikh Mehedi Hasan Ted Hughes’ Animal Poems: An Embodiment of Violence or Vitality? |
| Arun Behera Mother Tongue (L1) vis-a-vis Other Tongue (L2)? |
| Samina Boghani English: The Need of Today’s World |
| Arun Behera & Tripathy Phonetics in Language Learning? |
